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	<description>a new york theater blog</description>
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		<title>Thou of Thyself Thy Sweet Self Dost Deceive</title>
		<link>http://scribicide.com/2013/05/20/thou-of-thyself-thy-sweet-self-dost-deceive/</link>
		<comments>http://scribicide.com/2013/05/20/thou-of-thyself-thy-sweet-self-dost-deceive/#comments</comments>
		<pubDate>Tue, 21 May 2013 04:41:27 +0000</pubDate>
		<dc:creator>Aaron Botwick</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Alan Cumming]]></category>
		<category><![CDATA[Andrew Goldberg]]></category>
		<category><![CDATA[Brendan Titley]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Ethel Barrymore Theatre]]></category>
		<category><![CDATA[Harold Bloom]]></category>
		<category><![CDATA[Jenny Sterlin]]></category>
		<category><![CDATA[John Tiffany]]></category>
		<category><![CDATA[Macbeth]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://scribicide.com/?p=4436</guid>
		<description><![CDATA[Setting Macbeth in an insane asylum is not an entirely original idea—after all, Sleep No More has been running just twenty blocks south of the Barrymore Theatre for over two years—but apart from adding an irrelevant, “creepy” aesthetic, I’m sure I don’t know why anyone would do this to Shakespeare’s play.  In its newest incarnation, [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=scribicide.com&#038;blog=33245051&#038;post=4436&#038;subd=scribicide&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>If I Get Busted in New York, the Freest City in the World&#8230;</title>
		<link>http://scribicide.com/2013/05/17/if-i-get-busted-in-new-york-the-freest-city-in-the-world/</link>
		<comments>http://scribicide.com/2013/05/17/if-i-get-busted-in-new-york-the-freest-city-in-the-world/#comments</comments>
		<pubDate>Fri, 17 May 2013 23:09:23 +0000</pubDate>
		<dc:creator>Aaron Botwick</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Andrea Burns]]></category>
		<category><![CDATA[Born Yesterday]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Bud Abbott]]></category>
		<category><![CDATA[Cady Huffman]]></category>
		<category><![CDATA[Douglas Carter Beane]]></category>
		<category><![CDATA[Geoffrey Allen Murphy]]></category>
		<category><![CDATA[Groucho Marx]]></category>
		<category><![CDATA[Jack O'Brien]]></category>
		<category><![CDATA[Jenni Barber]]></category>
		<category><![CDATA[Jonny Orsini]]></category>
		<category><![CDATA[Judy Holliday]]></category>
		<category><![CDATA[Lenny Bruce]]></category>
		<category><![CDATA[Lewis J. Stadlen]]></category>
		<category><![CDATA[Lou Costello]]></category>
		<category><![CDATA[Lyceum Theatre]]></category>
		<category><![CDATA[Michael Frayn]]></category>
		<category><![CDATA[Mylinda Hull]]></category>
		<category><![CDATA[Nathan Lane]]></category>
		<category><![CDATA[Noises Off]]></category>
		<category><![CDATA[The Nance]]></category>
		<category><![CDATA[Theater]]></category>

		<guid isPermaLink="false">http://scribicide.com/?p=4408</guid>
		<description><![CDATA[Nathan Lane has one of the most interesting faces in showbusiness: his thick black eyebrows seem to almost always be forming an upside down V, giving the impression of endless mirth, while his Mr. Potato Head shaped face is so elastic his muscles may as well be made of rubber bands.  Which makes him the [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=scribicide.com&#038;blog=33245051&#038;post=4408&#038;subd=scribicide&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">The NanceLyceum Theatre</media:title>
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		<title>Now It Came to Pass</title>
		<link>http://scribicide.com/2013/05/15/now-it-came-to-pass/</link>
		<comments>http://scribicide.com/2013/05/15/now-it-came-to-pass/#comments</comments>
		<pubDate>Wed, 15 May 2013 08:29:41 +0000</pubDate>
		<dc:creator>Aaron Botwick</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Andrew Keltz]]></category>
		<category><![CDATA[Cabaret]]></category>
		<category><![CDATA[Dmitri "Zisl" Slepovich]]></category>
		<category><![CDATA[Dmitry Ishenko]]></category>
		<category><![CDATA[Dov Hikind]]></category>
		<category><![CDATA[Dov Seltzer]]></category>
		<category><![CDATA[Haim Hefer]]></category>
		<category><![CDATA[Hannah D. Scott]]></category>
		<category><![CDATA[Jeremy Rishe]]></category>
		<category><![CDATA[Joel Grey]]></category>
		<category><![CDATA[Jonathan Brody]]></category>
		<category><![CDATA[Lauren Brody]]></category>
		<category><![CDATA[Matt Temkin]]></category>
		<category><![CDATA[Merete Muenter]]></category>
		<category><![CDATA[Motl Didner]]></category>
		<category><![CDATA[Rebecca Keren]]></category>
		<category><![CDATA[Shane Baker]]></category>
		<category><![CDATA[Shmuel Bunim]]></category>
		<category><![CDATA[Stacey Harris]]></category>
		<category><![CDATA[Stav Meishar]]></category>
		<category><![CDATA[Stephen Mo Hanan]]></category>
		<category><![CDATA[The Megile of Itzik Manger]]></category>
		<category><![CDATA[The National Yiddish Theatre]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Zalmen Mlotek]]></category>

		<guid isPermaLink="false">http://scribicide.com/?p=4406</guid>
		<description><![CDATA[“I’m speaking English?” asks Loyfer (Shane Baker) at the opening of The Megile of Itzik Manger.  Then, looking at an elderly member of the audience, he says, I’m guessing, “From now on—in Yiddish,” for the supertitles had not yet started.  Wearing a purple pinstripe suit and a top hat, and with the ease and charisma [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=scribicide.com&#038;blog=33245051&#038;post=4406&#038;subd=scribicide&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Megile_CrystalArnette_8464</media:title>
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			<media:title type="html">abotwick</media:title>
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		<title>Barrie&#8217;s Women</title>
		<link>http://scribicide.com/2013/05/13/barries-women/</link>
		<comments>http://scribicide.com/2013/05/13/barries-women/#comments</comments>
		<pubDate>Mon, 13 May 2013 11:52:25 +0000</pubDate>
		<dc:creator>Aaron Botwick</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Bradford Cover]]></category>
		<category><![CDATA[Carol Schultz]]></category>
		<category><![CDATA[J.M. Barrie]]></category>
		<category><![CDATA[J.R. Sullivan]]></category>
		<category><![CDATA[Rachel Botchan]]></category>
		<category><![CDATA[Rosalind]]></category>
		<category><![CDATA[Sean McNall]]></category>
		<category><![CDATA[The Pearl Theatre]]></category>
		<category><![CDATA[The Twelve Pound Look]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[This Side of Neverland]]></category>
		<category><![CDATA[Vaishnavi Sharma]]></category>

		<guid isPermaLink="false">http://scribicide.com/?p=4386</guid>
		<description><![CDATA[If only there were ten more theaters like the Pearl, New York would be in great shape.  Their most recent production, This Side of Neverland, combines two J.M. Barrie one-acts, “Rosalind” and “The Twelve Pound Look.”  Barrie was one of those authors, like Maurice Sendak, who understood that childhood is far more complicated and melancholy [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=scribicide.com&#038;blog=33245051&#038;post=4386&#038;subd=scribicide&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Pearl Theatre - Henry IV, Part 1</media:title>
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		<title>Et cetera</title>
		<link>http://scribicide.com/2013/05/09/et-cetera/</link>
		<comments>http://scribicide.com/2013/05/09/et-cetera/#comments</comments>
		<pubDate>Thu, 09 May 2013 23:36:32 +0000</pubDate>
		<dc:creator>Aaron Botwick</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[After the Fall]]></category>
		<category><![CDATA[Amber Bogdeweicz]]></category>
		<category><![CDATA[Arthur Miller]]></category>
		<category><![CDATA[Ashleigh Murray]]></category>
		<category><![CDATA[August Strindberg]]></category>
		<category><![CDATA[Chain Theatre]]></category>
		<category><![CDATA[David Mamet]]></category>
		<category><![CDATA[Greg Cicchino]]></category>
		<category><![CDATA[J. Robert Oppenheimer]]></category>
		<category><![CDATA[Jaclyn Sokol]]></category>
		<category><![CDATA[Jill Catherine Durso]]></category>
		<category><![CDATA[Kathryn Neville Brown]]></category>
		<category><![CDATA[Kirk Gostkowski]]></category>
		<category><![CDATA[Neil LaBute]]></category>
		<category><![CDATA[Pol Pot]]></category>
		<category><![CDATA[R. Allen Babcock]]></category>
		<category><![CDATA[Sexual Perversity in Chicago]]></category>
		<category><![CDATA[Some Girl(s)]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Variations Theatre Group]]></category>

		<guid isPermaLink="false">http://scribicide.com/?p=4378</guid>
		<description><![CDATA[Neil LaBute has always struck me as occasionally nastily observant but mostly just plain nasty, though his play Some Girl(s), currently running at the Chain Theatre, suffers more from endless tedium than anything else; “predictably shocking” is an oxymoron, and once you figure out what Mr. LaBute is up to, he loses about ninety percent [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=scribicide.com&#038;blog=33245051&#038;post=4378&#038;subd=scribicide&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">abotwick</media:title>
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		<title>Sittin&#8217; in the Railway Station, Got a Ticket for My Destination</title>
		<link>http://scribicide.com/2013/04/29/sittin-in-the-railway-station-got-a-ticket-for-my-destination/</link>
		<comments>http://scribicide.com/2013/04/29/sittin-in-the-railway-station-got-a-ticket-for-my-destination/#comments</comments>
		<pubDate>Mon, 29 Apr 2013 22:45:17 +0000</pubDate>
		<dc:creator>Aaron Botwick</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Cicely Tyson]]></category>
		<category><![CDATA[Condola Rashad]]></category>
		<category><![CDATA[Cuba Gooding Jr.]]></category>
		<category><![CDATA[Exit Ghost]]></category>
		<category><![CDATA[Horton Foote]]></category>
		<category><![CDATA[How Green Was My Valley]]></category>
		<category><![CDATA[Michael Wilson]]></category>
		<category><![CDATA[Philip Roth]]></category>
		<category><![CDATA[Stephen Sondheim Theatre]]></category>
		<category><![CDATA[The Trip to Bountiful]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Tom Wopat]]></category>
		<category><![CDATA[Vanessa Williams]]></category>

		<guid isPermaLink="false">http://scribicide.com/?p=4294</guid>
		<description><![CDATA[The emotions are easy and the pleasures simple in Horton Foote’s The Trip to Bountiful—but they are emotions and pleasure nonetheless.  Mrs. Carrie Watts (Cicely Tyson), an elderly woman who seems to feel “Death [standing] in the doorway, clipping his nails,” as Ken Cosgrove would put it, desires to leave the house of her docile [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=scribicide.com&#038;blog=33245051&#038;post=4294&#038;subd=scribicide&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">The Trip to BountifulStephen Sondheim Theatre</media:title>
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			<media:title type="html">abotwick</media:title>
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		<title>Live Stream the 2013 Tony Award Nominations</title>
		<link>http://scribicide.com/2013/04/29/live-stream-the-2013-tony-award-nominations/</link>
		<comments>http://scribicide.com/2013/04/29/live-stream-the-2013-tony-award-nominations/#comments</comments>
		<pubDate>Mon, 29 Apr 2013 22:45:00 +0000</pubDate>
		<dc:creator>Aaron Botwick</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Jesse Tyler Ferguson]]></category>
		<category><![CDATA[Sutton Foster]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Tony Awards]]></category>

		<guid isPermaLink="false">http://scribicide.com/?p=4362</guid>
		<description><![CDATA[The 2013 Tony Award Nominations, hosted by Jesse Tyler Ferguson and Sutton Foster, will be broadcast Tuesday, April 30th, at 8:30 a.m. EST.  Click on the link below to stream it live. Launch the 2013 Tony Awards Live Video Console<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=scribicide.com&#038;blog=33245051&#038;post=4362&#038;subd=scribicide&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">abotwick</media:title>
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		<title>Tell Us About the Fruit of Thy Womb</title>
		<link>http://scribicide.com/2013/04/28/tell-us-about-the-fruit-of-thy-womb/</link>
		<comments>http://scribicide.com/2013/04/28/tell-us-about-the-fruit-of-thy-womb/#comments</comments>
		<pubDate>Sun, 28 Apr 2013 22:20:28 +0000</pubDate>
		<dc:creator>Aaron Botwick</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Colm Toibin]]></category>
		<category><![CDATA[Deborah Warner]]></category>
		<category><![CDATA[Fiona Shaw]]></category>
		<category><![CDATA[The Testament of Mary]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Walter Kerr Theatre]]></category>

		<guid isPermaLink="false">http://scribicide.com/?p=4292</guid>
		<description><![CDATA[There is enough in Colm Tóibín’s novella and subsequent play The Testament of Mary to set a biblical literalist’s head spinning.  It is the story of Mary (Fiona Shaw), the mother of Christ, which she relates after her son’s death.  She has abandoned Judaism and only attends pagan temples, she refers to the apostles as [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=scribicide.com&#038;blog=33245051&#038;post=4292&#038;subd=scribicide&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<title>Is Jekyll &amp; Hyde the Best Broadway Show of the Season?</title>
		<link>http://scribicide.com/2013/04/26/is-jekyll-hyde-the-best-broadway-show-of-the-season/</link>
		<comments>http://scribicide.com/2013/04/26/is-jekyll-hyde-the-best-broadway-show-of-the-season/#comments</comments>
		<pubDate>Sat, 27 Apr 2013 03:39:57 +0000</pubDate>
		<dc:creator>Aaron Botwick</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Bill Condon]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Constantine Maroulis]]></category>
		<category><![CDATA[David Benoit]]></category>
		<category><![CDATA[Deborah Cox]]></category>
		<category><![CDATA[Frank Wildhorn]]></category>
		<category><![CDATA[From Beyond]]></category>
		<category><![CDATA[Gods and Monsters]]></category>
		<category><![CDATA[James Whale]]></category>
		<category><![CDATA[Jeff Calhoun]]></category>
		<category><![CDATA[Laird Mackintosh]]></category>
		<category><![CDATA[Leslie Bricusse]]></category>
		<category><![CDATA[Lon Chaney Jr.]]></category>
		<category><![CDATA[Marquis Theatre]]></category>
		<category><![CDATA[Re-Animator]]></category>
		<category><![CDATA[Richard White]]></category>
		<category><![CDATA[Robert Louis Stevenson]]></category>
		<category><![CDATA[Steve Cuden]]></category>
		<category><![CDATA[Strange Case of Dr Jekyll and Mr Hyde]]></category>
		<category><![CDATA[Stuart Gordon]]></category>
		<category><![CDATA[Teal Wicks]]></category>
		<category><![CDATA[The Bride of Frankenstein]]></category>
		<category><![CDATA[The Rocky Horror Picture Show]]></category>
		<category><![CDATA[The Strange Case of Dr. Jekyll and Mr. Hyde]]></category>
		<category><![CDATA[Theater]]></category>

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		<description><![CDATA[“Did anyone laugh?” James Whale asks his gardener, Clayton Boone, in Bill Condon’s Gods and Monsters.  Clayton had just caught Whale’s movie, The Bride of Frankenstein, on TV the night before.  Covering, and afraid of insulting his employer, Clayton lies: “No.”  “Pity,” replies Whale. “People are so earnest nowadays.”  Shocked, Clayton asks, “Why?  Was it [&#8230;]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=scribicide.com&#038;blog=33245051&#038;post=4322&#038;subd=scribicide&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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