Eugène Ionesco’s The Bald Soprano is a difficult masterpiece. Subtitled Anti-play, it is, along with Waiting for Godot, a quintessential work of Theatre of the Absurd. The action is set in a living room on an “English evening” in which the Smiths are having the Martins over for dinner—the drama is essentially plotless, and consists mostly of the couples’ […]
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