Here’s an endorsement that might not sound like one: for a play about three upper-class, narcissistic WASPs alternately moaning about their medical, financial, and relationship problems, Melissa Ross’ Of Good Stock isn’t all that bad. Advertisements
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In a 1960 letter to a friend, Harold Pinter wrote of Samuel Beckett, “I’ll buy his goods hook, line, and sinker, because he leaves no stone unturned and no maggot lonely.” This is perhaps never more true than in Happy Days. Winnie (Brooke Adams), buried up to her waist in earth, regularly wakes up at the […]
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Ghosts hover in the wings of two short plays by David Mamet, “Prairie du Chien” and “The Shawl,” currently paired on Atlantic Stage 2. In “Prairie du Chien,” a raconteur (Jordan Lage) passes the time on a train by telling the story of a man who murdered his wife and hanged himself after discovering her affair with […]
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Jesse Eisenberg has gotten angrier. His first play, Asuncion, was a merciless takedown of white, liberal politics, but at its center was a genuinely warm if dysfunctional love story. His follow-up, The Revisionist, was admittedly colder, pitting a self-absorbed, pretentious writer against a savvy, Polish Holocaust survivor. But The Spoils, now being produced by The New Group at […]
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