Reviews

Nothing Says You Have to Like Yourself

The first act of Caryl Churchill’s Cloud Nine takes place in 1879, as colonial administrator Clive (Clarke Thorell) attempts to control a mild uprising by the indigenous population.  His wife Betty (Chris Perfetti) struggles with her attraction to the explorer Harry Bagley (John Sanders), who is himself harboring conflicted feelings about his homosexuality, though this does not prevent […]

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Reviews

None of the Horses Are Loose

You didn’t have to see Sam Shepard’s last play, A Particle of Dread (Oedipus Variations), to know his theatrical roots stretch back to the Greeks.  Fool for Love, which first opened in 1983, unfolds as two half-siblings, Eddie (Sam Rockwell) and May (Nina Arianda), spend seventy-five minutes in a motel trying to break an attraction that has plagued them […]

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Reviews

I Wondered What Robert Newton Would Think of This

Clive Owen drapes both hands over the arms of his chair. With a taut stillness that could be mistaken for calm, he looks exactly like a lion in the moments before it will pounce. One gets the feeling he could rape or murder without mussing up his suit or disheveling his thickly gelled hair. His movements […]

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Reviews

There’s a Big Dark Town, It’s a Place I’ve Found

James Thiérrée is the director, set designer, and choreographer behind the dance-drama Tabac Rouge.  The grandson of Charlie Chaplin, his production is a bit like a silent movie with sound—that is, while none of the characters speak, and while almost all story is communicated visually, he still relies on a series of sound effects, largely mechanical in nature.  In […]

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