Long before we learn that Ellis (William Apps) has an estranged daughter, a terrible secret, and a real thing about lamps, we know something is off. We see him nervously fussing about his apartment, a sizing sticker still attached to his pants, a hastily forgotten stick of deodorant wedged in the couch cushions. Ellis is […]
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After an absence of seventeen years, Murray (Richard Stacey) returns home from an unnamed war, hailed by local media for his heroics during a street fight near and inside a children’s hospital. With his young bride, the Eastern European refugee Baba (Evelyn Hoskins), he has big plans involving his father’s run-down hotel, The Bird of Prey. […]
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“Most of our lives are noise, aren’t they?” a character asks late in Alan Ayckbourn’s Confusions, a sequence of five one-act plays in which people mishear, overhear, and talk past each other. Telephones and doorbells are left unanswered, operators fail to make connections, and microphones distort rather than amplify voices. More often than not, conversations are glorified monologues.
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It may at first appear inauspicious that Cirque du Soleil has chosen the Lyric Theatre for its Broadway debut, Paramour, where not too long ago Spider-Man spent months filling 42nd Street with a veritable symphony of free-falling actors and their crunching bones. But the audience will soon be both relieved and disappointed, as the Cirque in Cirque du Soleil is here […]
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