Reviews

Paradise, Right?

“Our father, who art in heaven.”  So far, so good.  “Howard be thy name.”  This is where Angel (Sean Carvajal) begins to struggle.  “Howard?  How art?  How?  How-now?  Fuck!”  As Angel gropes his way through the Lord’s Prayer, other inmates join in.  “Shut the fuck up!” shouts one.  “Both a y’all, shut the fuck up!” […]

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Reviews

Playing Arabs and Army

Six unnamed Palestinian combatants seek cover in the Church of Nativity in Bethlehem.  With the Israeli army outside, this soon becomes a siege that will last thirty-nine days.  In that time, the combatants tend to their wounds, argue over their methods, and fantasize about the coffee and cigarettes awaiting them when the fighting is over.  […]

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Reviews

Richard Lieben Richard

I thought I had seen my zaniest Richard III in Mark Rylance, and before that in Kevin Spacey.  But compared to Lars Eidinger, these performances feel like those of mildly rambunctious children.  Mr. Eidinger abandons all pretense that Richard is an adult—or even a human being—and before the night is over, he has sat naked […]

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Reviews

Vienna Waits for You

The Elevator Repair Service is best known for their radical minimalist productions; perhaps their most famous is Gatz, an eight-hour reading of The Great Gatsby in its entirety.  I was admittedly ambivalent, then, about their Measure for Measure: would director John Collins and his cast and crew suit the text to the concept or the concept to […]

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Reviews

There’s No Clock in the Forest

When artistic director Brian Kulick left the Classic Stage Company, I was hoping his vapid, celebrity-addicted productions would go with him.  This season, the second helmed by his replacement John Doyle, begins with Mr. Doyle’s As You Like It, an affable if unambitious rendering that makes little use of setting or props and relies heavily on […]

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