Ayad Akhtar’s last play, The Invisible Hand, skewered market capitalism by demonstrating how even the most ideologically resistant—in that case, Islamic terrorists—can fall prey to its seduction. Now, in Junk, he returns to the same subject, but this time his focus is on the scene of the crime itself: Wall Street in the mid-1980s, when debt was […]
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Theatre for a New Audience just wrapped up a double-hander, Marcel and The Art of Laughter, two delightful one-act plays.
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It’s a little strange and a little beautiful to see John Cale performing with a full orchestra to a seated, opera-house audience. Dressed in an all-black suit brought into relief by a shock of white hair, Cale nods along with the band as he works his way through The Velvet Underground & Nico, which was released […]
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The subtitle of Jocelyn Bioh’s School Girls is The African Mean Girls Play. In some ways, it’s a pretty fair comparison. This is a sharp and funny work about a group of girls at an elite Ghanian boarding school. While each prepares for a performance that could make them eligible for the 1986 Miss Global […]
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There was a time when high culture was high, low culture was low, and never the ‘twain should meet. The middle-class intellectuals who attended plays by Shakespeare and Chekhov likely returned home to listen to Beethoven and Bach, later retiring to bed with a good, fat novel by George Eliot or Leo Tolstoy. The popular […]
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