This Ain’t No Disco, announces the title of a new rock opera about Studio 54, which was, in fact, a disco. There seems to be some confusion between artist and art: a recent promotional piece in the New York Times chronicles the fortunes of the Mudd Club, which was not a disco but is also not the subject […]
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The Potomac Theatre Project has been staging Howard Barker and Caryl Churchill for decades, and this can mean one of two things: mastery or stagnation. Unfortunately, it’s a little of both this season, with the company pairing two short works, Mr. Barker’s The Possibilities, a series of vignettes linking the mundane and the momentous, and Ms. […]
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CHICAGO—It’s a terrific idea, really: The Artistic Home has mounted a production of Jean Genet’s The Maids with two drag queens in the title roles. The play, about a pair of sisters who play-act the murder of their mistress every night, always without reaching the violent conclusion, is ideally suited to the uncanny exaggerations of […]
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