Reviews

The Gun Is Not Loaded

Fefu (Amelia Workman) hosts a group of friends at her New England home, ostensibly to rehearse for an upcoming educational fundraiser. The rehearsal, however, takes up little of the action in Fefu and Her Friends, María Irene Fornés’ witty, experimental play from the ‘seventies about a group of unfulfilled women who unwind and unload for […]

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Reviews

Who’s Up for Some Meaning?

Chris has a crappy childhood—several, actually. First dad dies, then mom, and then a diving accident lands Chris in the hospital. The legal guardian takes off with an ex-boyfriend, and Chris is adopted by the doctor assigned to treat the concussion. But The Underlying Chris, a new play by Will Eno, is a cradle-to-the-grave affair, […]

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Reviews

Life of a Salesman

Will Kidder (Aidan Quinn), the subject of quite a few plays by Horton Foote, is a classic American loser, the kind of naïve and disappointed optimist who has populated mid-century works by the likes of Arthur Miller, Eugene O’Neill, and Lorraine Hansberry. Will, however, has seen quite a bit of success in his life—he has […]

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Reviews

Let’s Fix This Fucker

“It’s never worked,” says Tony Kushner (Jonathan Hadary), now a character in a revised version of A Bright Room Called Day. The play, about a group of Berliner artists watching their country fall to Hitler in 1932 and 1933, has suddenly received renewed interest. “I have offers!” he cries, incredulous. This is in no small […]

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