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scribicide

a new york-based theater blog

Arden of Faversham
March 24, 2023March 24, 2023

Mistress Arden Lives

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Pericles
March 20, 2023March 20, 2023

We’re in Brooklyn

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Endgame
February 21, 2023March 14, 2023

You’re on Earth—There’s No Cure for That

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Ohio State Murders
December 27, 2022March 14, 2023

The Main Source of Violent Imagery in My Work

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Ain't No Mo'
December 20, 2022March 14, 2023

Why Would I Trust a Free Plane Ticket from the Government?

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Topdog/Underdog
December 9, 2022December 9, 2022

A Wax Dummy Can Scream

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KPOP
December 5, 2022December 7, 2022

We Came Here to Dominate and Make You Go Hysterica

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Hamlet
October 31, 2022October 31, 2022

Too Much i’ the Sun

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Leopoldstadt
October 24, 2022December 8, 2022

To Know the Faces of the Dead

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59E59 Theaters Alice Griffin Jewel Box Theatre Arthur Miller Atlantic Theater Company BAM Harvey Theater Bradford Cover Broadway Brooklyn Academy of Music Classic Stage Company Cort Theatre Edward Albee Eugene O'Neill George Bernard Shaw Hamlet Harold Pinter Irene Diamond Stage Irish Repertory Theatre John Golden Theatre Linda Gross Theater Lucille Lortel Theater Manhattan Theatre Club New York Theatre Workshop Playwrights Horizons Polonsky Shakespeare Center Rachel Botchan Rattlestick Playwrights Theater Red Bull Theater Richard III Robert Langdon Lloyd Roundabout Theatre Company Samuel Beckett Samuel J. Friedman Theatre Signature Theatre Theatre for a New Audience The New Group The Pearl Theatre The Public Theater The Stratford Festival Tom Stoppard William Shakespeare

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