a new york-based theater blog
The stage design is minimal to the extreme. More often than not, the actors speak facing outward rather than one another. When they do face each other, they stand on opposite sides of the stage, perhaps twenty feet apart. When only two are in a scene, the third remains hovering around the corners of the […]
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Bat Out of Hell may be the most inevitable jukebox musical ever staged. Meat Loaf’s twin albums, written by Jim Steinman, sound more like musical theater than most musical theater; it doesn’t hurt, I’m sure, that together they’ve sold almost sixty million copies. In other words, it would be hard to screw this up: toss […]
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STRATFORD, ON— The fate of Shakespeare and Fletcher’s late history Henry VIII has been tumultuous, to say the least. Cannon fire from the first production burned down the original Globe Theatre in 1613. Defying augury, the new Globe Theatre mounted a respectable but ultimately forgettable revival in 2010. Popular in the eighteenth and nineteenth century, […]
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STRATFORD, ON—Noël Coward said that the critical response to his Private Lives “connoted in the public mind ‘cocktails,’ ‘evening dress,’ ‘repartee’ and irreverent allusions to copulation,” and director Carey Perloff seems to have similar ingredients in mind with her current staging of the play at the Stratford Festival. When Elyot Chase (Geraint Wyn Davies) first […]
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STRATFORD, ON—The Merry Wives of Windsor is an exercise in controlled chaos. Jam-packed with a cast of parsons, physicians, gentleman, and mistresses (rather than ladies), the stage explodes with personalities of all types. At the center of this chaos are the mischievous Mistresses Alice Ford (Sophia Walker) and Anne Page (Brigit Wilson), who have decided […]
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STRATFORD, ON—In the press room of Chicago’s Criminal Courts Building, the tables are littered with cigarette butts, half-filled glasses of liquor, and empty Chinese takeout containers. Reporters smoke, play cards, and occasionally phone their editors, either to report a story or to make one up. By morning, Earl Williams (Johnathan Sousa) will be hanged for […]
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STRATFORD, ON—The play bears Othello’s (Michael Blake) name, but the tragedy really belongs to Iago (Gordon S. Miller), who has seven soliloquies to Othello’s two. This nihilistic, black hole of a character falls on the far end of Shakespeare’s conception of evil, a natural endpoint after Aaron the Moor and Richard III. No production can […]
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