Reviews

Only We Shall Retain the Name

Perhaps this production of King Lear was never going to live up to the story: after twenty-three years in Parliament, Glenda Jackson returned to acting with the most challenging Shakespearean role, typically reserved for actors of her caliber as a final achievement, one that spawns nostalgic reflections on a career that began with an historic performance […]

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Reviews

The Crux of the Matter

Written during an enviable period in his mid-twenties that would yield four major productions in two years, Martin McDonagh’s The Beauty Queen of Leenane transplants the playwright’s mixed feelings about the bucolic Ireland he would visit on holidays while growing up in London into a space of domestic menace.

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