Reviews

An Intact Originality and Character

David (Jesse Eisenberg), the protagonist of Mr. Eisenberg’s new play, bears some resemblance to Edgar, the part he played in Asuncion, his first work for the Rattlestick Playwrights Theater: he is an entitled, pot smoking vegetarian whose condescension does not prevent him from prefacing every sentence with, “Sorry.”  But unlike Edgar, David is not particularly […]

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Reviews

I’m Not Racist, But…

There is a moment in James Agee and Walker Evans’ Let Us Now Praise Famous Men—possibly the pinnacle of white liberal guilt—in which Agee accidentally startles a young Black couple: “I was trying in some fool way to keep it somehow relatively light, because I could not bear that they should receive from me any added […]

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