Reviews

There’s No Clock in the Forest

When artistic director Brian Kulick left the Classic Stage Company, I was hoping his vapid, celebrity-addicted productions would go with him.  This season, the second helmed by his replacement John Doyle, begins with Mr. Doyle’s As You Like It, an affable if unambitious rendering that makes little use of setting or props and relies heavily on […]

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Reviews

Enter, for Here Too There Are Gods!

A picture of a decrepit, present-day Jerusalem neighborhood is projected behind the actors, who sit in a row of chairs when they are not onstage.  They begin out of costume and inform the audience they are about to tell a story; during intermission, two perform the Muslim evening prayer.  The impetus, I assume, behind this revival of […]

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Reviews

It Staggers to Its Feet Again

I’m not an expert on Congolese music, but I’m pretty sure it doesn’t sound like Spring Awakening—and this is essentially the problem with Brian Kulick’s staging of Mother Courage and Her Children, which ingeniously transplants Brecht’s play from seventeenth-century Europe to modern-day Congo but does little to establish the space beyond the vague gestures associated with the Africa of the American imagination.  That […]

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Reviews

The Lord of Misrule

Azdak (Christopher Lloyd) is a difficult character.  As played by Mr. Lloyd—with a bright, shining bald head, a Neanderthal’s brow, and Dumbo ears—he looks like a man who got lost, and who was perhaps mauled by several rabid dogs, on his way to the set of The Hills Have Eyes.  Azdak is the backbone, if […]

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