Fare You Well, Señor Satan

The Irish Repertory has not had a good year.  First, there was Brian Friel’s stultifying, cringingly sentimental Dancing at Lughnasa, then Eugene O’Neill’s bloated, unbearable Beyond the Horizon.  A Shavian comedy is just the kind of play that is needed to inject some life into this theater—and at first glance, Man and Superman seems to […]

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