Reviews

The Best Part of Breakin’ Up Is When You’re Making Up

STRATFORD, ON—Noël Coward said that the critical response to his Private Lives “connoted in the public mind ‘cocktails,’ ‘evening dress,’ ‘repartee’ and irreverent allusions to copulation,” and director Carey Perloff seems to have similar ingredients in mind with her current staging of the play at the Stratford Festival. When Elyot Chase (Geraint Wyn Davies) first […]

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Reviews

The Reference Is Obscure

“I began with a desire to speak with the dead,” Stephen Greenblatt writes at the beginning of Shakespearean Negotiations.  “Literature professors are salaried, middle-class shamans.”  For a few years in the ‘nineties, Tom Stoppard also desired to speak with the dead.  His plays Arcadia and Indian Ink (the latter is currently being revived by Roundabout) both concern people in […]

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