Reviews

We Will Be Married o’Sunday

Directors of Shakespeare’s ostensiby problematic comedy The Taming of the Shrew have long found ambiguity in that taming—recently, for example, Ann Arbis mounted a “post-feminist” revival that hewed to a more equitable vision Kate and Petruchio’s power dynamic.  It is no surprise, then, that Kiss Me, Kate should soon follow suit.  This delightful Cole Porter and […]

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Reviews

On the Other Hand

In Philip Roth’s Zuckerman Unbound, Nathan Zuckerman’s father tells him that the Barry Sisters and their recording of Fiddler on the Roof “are going to do more for the Jews than anything since ‘Tzena, Tzena.’”  Nathan allows the comment to go unchallenged, but Roth would call the Broadway musical “shtetl kitsch.”  Of course, his generation was closer, not just to the […]

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Reviews

And It Felt Like a Kiss

STRATFORD, ON—Rogers and Hammerstein’s Carousel is a Frankenstein’s monster of a musical, part American Tragedy, part Dog Day Afternoon, and part Christmas Carol.  For the first two-thirds, it is a fairly conventional story about Billy Bigelow (Jonathan Winsby), a carousel barker who seduces the “queer” millworker Julie Jordan (Alexis Gordon).  Their marriage quickly devolves into restlessness and […]

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