A Rival Hypothesis

Tom Stoppard is a giant, a playwright whose enormous talent has endured for decades: Arcadia, written almost thirty years after he first experimented with a one-act titled Rosencrantz and Guildenstern Meet King Lear, is among his best work.  The Hard Problem, his latest, is not.  It pains me to write this, since Stoppard is an idol […]

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