Reviews

Bracelets. Silk. A Hairdo.

As Dangerous Liaisons ends—with a specter of the guillotine projected behind aristocrats playing cards—so begins David Adjmi’s Marie Antoinette.  But historical truth isn’t the point here, which is fitting since the French Queen is best remembered for a mistranslation of an apocryphal story: in Rousseau Confessions, the author refers to a “great princess” who, upon […]

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Reviews

Venus in Stilletos

Victor L. Cahn has written a book on gender and power in the plays of Harold Pinter, and his new play, Getting the Business, feels like a riff on the issues raised in his predecessor’s work.  Billed somewhat misleadingly as a “noir farce”—probably because it features a femme fatale—it is more like a black comedy […]

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Reviews

What Makes You Free?

It is 1942 and in Poland, Jews are marching into the gas chambers.  But in Yonkers, they are ostensibly dealing with family problems.  When Eddie (Dominic Comperatore) finds himself terribly in debt after the death of his wife, he drops his two sons Arty (Russell Posner) and Jay (Matthew Gumley) off with their uncompromising German grandmother […]

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