Reviews

That Stockholm Thing

Ayad Akhtar, whose excellent Disgraced won the Pulitzer last year and transferred to Broadway this year, is quickly becoming one of the most important (if not the most important) new voices in contemporary American theater.  His follow-up, The Invisible Hand, currently running at the New York Theatre Workshop, is thematically consistent with the last work but narratively superior, more emotionally […]

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Reviews

The Gap

It seems that the surest way to win a Pulitzer is to write a comic drama about a bad dinner between couples and preferably one in which, as the night progresses, secrets are revealed.  It has worked, albeit with some variations, for Edward Albee, Donald Margulies, and Tracy Letts.  And now we can add Ayad […]

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