Reviews

A Bit Less Tidy Around the Edges

Ten years after the premiere of his play, Midnight in a Clearing with Moon and Stars, Robert (Matthew Broderick) gets together with his cast and crew at their old haunt, the Talk House.  Robert and his star, Tom (Larry Pine), have moved on to a sitcom, Tony and Company.  Producer Bill (Michael Tucker) has become a talent agent, […]

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Reviews

Time for Rehearsal

Before Beckett or Ionesco there was Luigi Pirandello, whose Six Characters in Search of an Author was allegedly so shocking to its original audience that people could be heard crying out, “Madhouse!” in response to what they were seeing.  Now, unfortunately, its impact has dulled, and we are left with a play that feels very much like […]

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Reviews

It’s Just Decor

Berenger (Michael Shannon), the everyman who stars in Eugène Ionesco’s later plays Rhinoceros, Exit the King, and A Stroll in the Air, made his first and perhaps most devastating appearance in The Killer, one of the purest expressions of the Theatre of the Absurd.  In the first act (during which the set is almost always bare, the white scratches on […]

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Reviews

The Jew’s Ear Juice

We’ve all seen the photos.  A sign that reads, “Do Drunken Driving.”  Another warns, “Slip and Fall Down Carefully.”  Or a can labeled, “The Jew’s Ear Juice”—perhaps the most unappetizing beverage on the planet.  These comical mistranslations provide the springboard for Chinglish, David Henry Hwang’s new play about the failure of language as a means of […]

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Reviews

The Bald Soprano at the Pearl Theatre

Eugène Ionesco’s The Bald Soprano is a difficult masterpiece.  Subtitled Anti-play, it is, along with Waiting for Godot, a quintessential work of Theatre of the Absurd.  The action is set in a living room on an “English evening” in which the Smiths are having the Martins over for dinner—the drama is essentially plotless, and consists mostly of the couples’ […]

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