Reviews

Ink by the Carload

I tend to shy away from biographical readings of texts.  But consider: David Mamet’s new play, The Penitent, is about a psychologist, Charles (Chris Bauer), who treats a patient who goes on to murder ten people.  In his manifesto, this patient, frequently referred to as “the Boy,” accuses Charles of homophobia, and a newspaper covering […]

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Reviews

Death of a Fucking Salesman

2012 has been a year of great Broadway revivals—first Death of a Salesman, followed by Who’s Afraid of Virginia Woolf?—and now David Mamet’s masterpiece Glengarry Glen Ross, likely the best American play of the last thirty years.

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