Reviews

Where’d You Go?

Molière’s Don Juan is an amiable little comedy, a recklessly blasphemous sendup of religious faith and other hypocrisies, with the title character (Justin Adams) abandoning all calls for decency and kindness in favor of a monomaniacal pursuit of sexual gratification.  And he really does seem sincere every time, worshipping each successive woman and then quickly abandoning her once a new one appears. […]

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Reviews

The Days Are Getting Shorter

Fall has come and all of New York’s institutions are waking from their summer slumber, including the Pearl Theatre, the best revival company in the city.  They are opening their 2014-15 season with Chekhov’s Uncle Vanya, a chronicle of old, disappointed Russians who have been doing nothing but “talking and talking for the last fifty years.”  The […]

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Reviews

Brains Turned by Reading

Richard Brinsley Sheridan’s career falls right in-between Shakespeare’s and Oscar Wilde’s, so if you know Twelfth Night and The Importance of Being Earnest, you’ll already have a decent sense of The Rivals: Captain Jack Absolute (Cary Donaldson), the wealthy son of Sir Anthony Absolute (Dan Daily), has fallen in love with Lydia Languish (Jessica Love).  But Lydia, an […]

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Reviews

A Laugh Riot at the Pearl

It is said that Pierre Beaumarchais’ The Marriage of Figaro foreshadowed the French Revolution—though Figaro (Sean McNall) is based on Brighella, a stock Commedia character, a servant who often outwits his master, Beaumarchais’ text is far more political and is packed with polemical monologues against social inequity.  “How came you to be rich and mighty, […]

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Reviews

The Bald Soprano at the Pearl Theatre

Eugène Ionesco’s The Bald Soprano is a difficult masterpiece.  Subtitled Anti-play, it is, along with Waiting for Godot, a quintessential work of Theatre of the Absurd.  The action is set in a living room on an “English evening” in which the Smiths are having the Martins over for dinner—the drama is essentially plotless, and consists mostly of the couples’ […]

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