With his debut play, Hamish Linklater has written a generous work, one that offers substantial roles to all eight of its actors. Like its title, the stage of The Whirligig spins round and round, unfolding a series of scenes in the lives of those who are in one way or another connected to Julie (Grace Van Patten), a drug […]
Read more
Doug Wright has clearly done his research. His new play Posterity, about the meeting of Henrik Ibsen (John Noble) and Gustav Vigeland (Hamish Linklater), is full of assurance about its subjects. Based on a true story, the young Vigeland, considered one of Norway’s greatest sculptors (he designed the Nobel Peace Prize medal), is offered an assignment: […]
Read more
It is a forgivable mistake to read The Comedy of Errors as an unadulterated comedy, even though it opens with the threat of execution: if Egeon (Jonathan Hadary), a merchant from Syracuse, cannot raise his ransom by five o’clock, he will be killed in accordance with the law of Ephesus, which does not allow her […]
Read more
Drama about pedagogy tends to follow an insufferable formula: if the professor/high school English teacher/football coach is not used to voice a series of banal platitudes, then he is there to assuage white liberal guilt in some vaguely or explicitly racist way. For that, I would rather open my wrists in a bathtub than have […]
Read more