Reviews

Who’s Up for Some Meaning?

Chris has a crappy childhood—several, actually. First dad dies, then mom, and then a diving accident lands Chris in the hospital. The legal guardian takes off with an ex-boyfriend, and Chris is adopted by the doctor assigned to treat the concussion. But The Underlying Chris, a new play by Will Eno, is a cradle-to-the-grave affair, […]

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Reviews

There’s No Clock in the Forest

When artistic director Brian Kulick left the Classic Stage Company, I was hoping his vapid, celebrity-addicted productions would go with him.  This season, the second helmed by his replacement John Doyle, begins with Mr. Doyle’s As You Like It, an affable if unambitious rendering that makes little use of setting or props and relies heavily on […]

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Reviews

My Love for You Is Artificial

When Saartjie Baartman (Zainab Jah), later known as “Venus Hottentot,” first walks onstage, she carries with her a skin-colored body suit.  This repurposed leotard transforms her figure into that of the woman who, because of her large buttocks, was exhibited in freak show attractions in the early nineteenth century.  This is, as far as I […]

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Reviews

Come and Make Explosives with Me

Major Barbara at first appears like a rather innocuous play, nothing that would inspire the economist Beatrice Webb to call it a “dance of devils” and “the triumph of the unmoral purpose”: Her children all grown up, Lady Britomart Undershaft (Carol Schultz) finds herself in a precarious position: her husband, the weapons manufacturer Sir Andrew (Dan […]

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Reviews

These Violent Delights Have Violent Ends

About halfway through David Adjmi’s 3C, Brad (Jake Silbermann) confesses to his new roommate, Connie (Anna Chlumsky), that he is gay.  She tells him she has “these same feelings,” but she thinks he’s talking about being traumatized in the Vietnam War.  Connie, who compulsively seeks the approval of men but is also terrified of them, […]

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