Reviews

That Stockholm Thing

Ayad Akhtar, whose excellent Disgraced won the Pulitzer last year and transferred to Broadway this year, is quickly becoming one of the most important (if not the most important) new voices in contemporary American theater.  His follow-up, The Invisible Hand, currently running at the New York Theatre Workshop, is thematically consistent with the last work but narratively superior, more emotionally […]

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Reviews

Change at the Dinner Table

Brooke Wyeth (Rachel Griffiths) complains that her family never talks about anything, though you’d never know it from Other Desert Cities, a play so laden with expository monologues and near-endless confessions that it leaves its audience crying out for the subtlety of Neil LaBute.  This monster of a production, which runs for over two hours […]

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