Reviews

We’ll Meet Again

Heléna Altman (Nina Arianda), a young Viennese woman widowed by World War I and still dressed in mourning, finds herself turning to prostitution in order to survive.  An early stage direction reads, in reference to one of her johns, “He fucks her.  Heléna doesn’t cry,” which should give some indication of her frank and somewhat […]

Read more
Reviews

It’s Past Now

Beyond the Horizon must be one of Eugene O’Neill’s worst plays—it is humorless, overlong, and maudlin, with language that is almost insultingly obvious; only minutes after curtain, Robert Mayo (Lucas Hall), a dreamer about to leave his life on his father’s farm, announces, “It’s just Beauty that’s calling me … in quest of the secret […]

Read more