Reviews

A Man Is What He Has

Ayad Akhtar’s last play, The Invisible Hand, skewered market capitalism by demonstrating how even the most ideologically resistant—in that case, Islamic terrorists—can fall prey to its seduction.  Now, in Junk, he returns to the same subject, but this time his focus is on the scene of the crime itself: Wall Street in the mid-1980s, when debt was […]

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Reviews

Fools Rush In

Jack Singer (Rob McClure) has the Jewish mother to end all Jewish mothers.  On her deathbed, Bea (Nancy Opel) asks her son, “How can I know you’ll love me forever, unless I’m sure that you will never get married?” adding that “no other woman could love you like your mommy does.”  Unsurprisingly, this Oedipal incident gives […]

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