I Was Improvising, Which Everybody Just Loves

Over the course of three plays—Asuncion, The Revisionist, and The Spoils—Jesse Eisenberg has established himself as the premier satirist of guilt-ridden, ineffectual American liberalism.  His work is littered with a gaggle of narcissistic, white idiots, and Happy Talk, his latest, is no exception.  This is the first of his plays in which Eisenberg does not […]

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