Reviews

Her Sickness Is a Fullness of Her Blood

When Declan Donnellan directed ‘Tis Pity She’s a Whore at BAM three years ago, he stripped the play of everything but its core plot—the incestuous and ultimately fatal affair between Giovanni (Matthew Amendt) and his sister Annabella (Amelia Pedlow)—and the result was cinematic, highly stylized, and saturated with melodrama. In a new revival by Jesse Berger, John Ford’s […]

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Reviews

Beckett: The Musical?

When he was asked why he made a shot-for-shot remake of Psycho, Gus Van Sant replied, “So that no one else would have to.”  The same could be said of Sounding Beckett, a bizarre failure of an experiment that nevertheless justifies its existence.  Six composers, working with three short plays from Samuel Beckett’s “ghost period,” […]

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Reviews

I Am Much Old in Griefs

The stage is marble and the cast appears in dark hooded robes, their faces chalk-white and eyes sunken; the theater feels unusually cold.  A young woman slinks around the stage playing the waterphone, creating steely, alienating music, and King Amyclas of Sparta (Philip Goodwin) has a visage so wrinkled and worn that it gives Beckett’s […]

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