Reviews

Divisible by Three

With her slight form, her raspy voice, and her bouncy movements, April Matthis owns the stage. Playing the title character in Lydia R. Diamond’s Toni Stone, Matthis weaves effortlessly through space and time to reconstruct the story of the first woman to play professional baseball. The transitions are simple—”I’m a little girl,” Matthis will say […]

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Reviews

A Man Is What He Has

Ayad Akhtar’s last play, The Invisible Hand, skewered market capitalism by demonstrating how even the most ideologically resistant—in that case, Islamic terrorists—can fall prey to its seduction.  Now, in Junk, he returns to the same subject, but this time his focus is on the scene of the crime itself: Wall Street in the mid-1980s, when debt was […]

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Reviews

Human Head Body Like a Goat

In The Flick, Annie Baker rejected virtually every rule of theatrical storytelling to find the drama in the minutiae of everyday life.  Now, those rules are the subject of her new play, The Antipodes, which puts eight writers around a conference table trying to find inspiration for their new project.  They know it will deal with a monster—or something […]

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Reviews

They Know You Exist

Caryl Churchill’s Love and Information is a solid one-hour play that happens to run for a little under two hours.  Its fifty-seven scenes are connected thematically and not narratively, featuring over one hundred characters who are all struggling with the same problem: deciding how to communicate, filter, interpret, and trust information—and, often, how that pertains […]

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