Bracelets. Silk. A Hairdo.

As Dangerous Liaisons ends—with a specter of the guillotine projected behind aristocrats playing cards—so begins David Adjmi’s Marie Antoinette.  But historical truth isn’t the point here, which is fitting since the French Queen is best remembered for a mistranslation of an apocryphal story: in Rousseau Confessions, the author refers to a “great princess” who, upon […]

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