Reviews

Watch Your Language

Dogg’s Hamlet, Cahoot’s Macbeth, which originally premiered in 1979, continues Tom Stoppard’s longstanding fascination with restaging Shakespeare. While not quite as rewarding as Rosencrantz and Guildenstern Are Dead, the work is playful, intelligent, and—if staged properly—utterly terrifying. The first act has a group of kids speaking a nonsense language called “Dogg.” The script provides a […]

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Reviews

The Bloody Sequel

Like Rosencrantz and Guildenstern Are Dead, Tom Stoppard’s adaptation of Hamlet that stages the action of the play from the perspective of the prince’s childhood friends, Taylor Mac’s Gary: A Sequel to Titus Andronicus locates the drama in supporting characters.  The eponymous Gary (Nathan Lane) is a clown who has been promoted to maid and dreams of one day becoming […]

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Reviews

The Puffs Don’t Exactly Have the Best Reputation Here…

In Rosencrantz and Guildenstern Are Dead, Tom Stoppard shifted the focus at Elsinore Castle from the melancholy Dane to his two school chums, hapless pawns in the battle over the crown whose deaths are so unremarkable that they are relegated to one throw-away line in a play of nearly four thousand.  In Puffs, or: Seven Increasingly Eventful […]

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