In the Woods We Could Eat Rabbits

Lisa D’Amour’s Detroit is yet another entry in the never-ending American tradition of theater about angry drunk families who have secrets that will be revealed after the intermission.  You know these people already: Williams’ Kowalskis, O’Neill’s Tyrones, and Albee’s George, Martha, Nick and Honey.  Last year, we suffered through Jon Robin Baitz’s unimaginative, stultifying Other […]

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