We Will Be Married o’Sunday

Directors of Shakespeare’s ostensiby problematic comedy The Taming of the Shrew have long found ambiguity in that taming—recently, for example, Ann Arbis mounted a “post-feminist” revival that hewed to a more equitable vision Kate and Petruchio’s power dynamic.  It is no surprise, then, that Kiss Me, Kate should soon follow suit.  This delightful Cole Porter and […]

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