Reviews

A Man Is What He Has

Ayad Akhtar’s last play, The Invisible Hand, skewered market capitalism by demonstrating how even the most ideologically resistant—in that case, Islamic terrorists—can fall prey to its seduction.  Now, in Junk, he returns to the same subject, but this time his focus is on the scene of the crime itself: Wall Street in the mid-1980s, when debt was […]

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Reviews

That Stockholm Thing

Ayad Akhtar, whose excellent Disgraced won the Pulitzer last year and transferred to Broadway this year, is quickly becoming one of the most important (if not the most important) new voices in contemporary American theater.  His follow-up, The Invisible Hand, currently running at the New York Theatre Workshop, is thematically consistent with the last work but narratively superior, more emotionally […]

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