Reviews

The Bloody Sequel

Like Rosencrantz and Guildenstern Are Dead, Tom Stoppard’s adaptation of Hamlet that stages the action of the play from the perspective of the prince’s childhood friends, Taylor Mac’s Gary: A Sequel to Titus Andronicus locates the drama in supporting characters.  The eponymous Gary (Nathan Lane) is a clown who has been promoted to maid and dreams of one day becoming […]

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Reviews

Unarming Troilus

I am not a Shakespearean purist.  There is nothing inherently wrong with, say, relocating The Merchant of Venice to present-day Las Vegas, with handing Macbeth a machine gun, or with reading The Tempest and deciding it should look like this.  But the ideas should always be generated by the text instead of imposed onto them.  The problem […]

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