Reviews

How’s Your Lover Today, Amanda?

Betrayal is a perfect work of art and probably the greatest play not written by Shakespeare.  Harold Pinter has a total mastery over his language, distilling it in a way that even surpasses Beckett—every word, every moment is essential, and the cumulative effect of his silences and terse sentences is shattering.

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Reviews

High Resolution

“The first thing is that the audience appear to be confronted by their own reflection in a huge mirror.  Impossible.”  So begins Tom Stoppard’s The Real Inspector Hound as well as Annie Baker’s new play The Flick, which is set in a dilapidated movie theater for which the play is named, one of the eight […]

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Reviews

Where’s Higgs?

Agatha Christie’s The Mousetrap is sixty years old and has run for over twenty five thousand performances—though the machine seems to be self-perpetuating, its legendary run inspiring new audiences to attend a work that is horribly dated and only vaguely entertaining.  I make this point to emphasize my confusion at the current revival of The […]

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