Reviews

Any Tom, Dick or Bertolt

Tom Stoppard’s Dogg’s Hamlet, Cahoot’s Macbeth skirts very close to the kind of acting exercise you might find practiced by an improv group: in the first half, which is largely in gibberish (which is subtitled in the script but untranslated here), a builder who speaks English arrives to construct a set for actors about to perform […]

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Reviews

With Ethan Hawke at the Helm, Unreality Bites, Too

The only interesting thing about Ethan Hawke is that no actor so lousy has tried so aggressively to trade in his celebrity for artistic credibility.  In Clive, a rewriting of Bertolt Brecht’s Baal, he plays a pretentious, narcissistic rocker with bleach-blond hair and a penchant for drinking and womanizing—quite the stretch.  And yet he can’t […]

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