Reviews

The Bitter Paradox of Both

In All the Way, playwright Robert Schenkkan followed LBJ through his first year in office: the accidental presidency, the landslide victory against Goldwater, and the passage of the Civil Rights Act of 1964. In its sequel, The Great Society, he picks up right where he left off: battling with Martin Luther King (Grantham Coleman) and […]

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Reviews

A Man Is What He Has

Ayad Akhtar’s last play, The Invisible Hand, skewered market capitalism by demonstrating how even the most ideologically resistant—in that case, Islamic terrorists—can fall prey to its seduction.  Now, in Junk, he returns to the same subject, but this time his focus is on the scene of the crime itself: Wall Street in the mid-1980s, when debt was […]

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Reviews

A Jew and an Arab Walk Into Norway…

Clinton, Rabin, and Arafat may have copped the photo-op, but the 1993 Declaration of Principles on Interim Self-Government Arrangements, or “Oslo I,” was largely due to the work of behind-the-scenes actors.  In a period of only nine months, Terje Rød-Larsen (Jefferson Mays) and his wife, Mona Juul (Jennifer Ehle), took advantage of Norwegian neutrality to broker […]

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Reviews

Backwards and in High Heels

“More guns in people’s pockets means more people dead.”  That’s Texas Governor Ann Richards in Holland Taylor’s new play Ann, and it’s straighter talk than we’re used to from our elected officials—even from our uncensorable vice president, who recently advised America’s women to protect themselves by firing double-barreled shotguns into the air.  The line elicited […]

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