The first and most important thing about Yaël Farber’s revival of Hamlet is that it is one of the best-spoken Shakespeares I have heard in years. These are actors who both understand the meaning of the language and respect the rhythm of the poetry. They remind us that Shakespeare, despite his reputation to the contrary, […]
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As far as we know, Timon of Athens was never staged in Shakespeare’s lifetime. It is rarely staged in ours. In terms of genre, it is akin to his late romances, beginning as a Ben-Jonson-style comedy and ending in Lear-like tragedy. As with Pericles and Two Noble Kinsman, it is a collaboration, and here the […]
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STRATFORD, ON— The fate of Shakespeare and Fletcher’s late history Henry VIII has been tumultuous, to say the least. Cannon fire from the first production burned down the original Globe Theatre in 1613. Defying augury, the new Globe Theatre mounted a respectable but ultimately forgettable revival in 2010. Popular in the eighteenth and nineteenth century, […]
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STRATFORD, ON—The Merry Wives of Windsor is an exercise in controlled chaos. Jam-packed with a cast of parsons, physicians, gentleman, and mistresses (rather than ladies), the stage explodes with personalities of all types. At the center of this chaos are the mischievous Mistresses Alice Ford (Sophia Walker) and Anne Page (Brigit Wilson), who have decided […]
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STRATFORD, ON—The play bears Othello’s (Michael Blake) name, but the tragedy really belongs to Iago (Gordon S. Miller), who has seven soliloquies to Othello’s two. This nihilistic, black hole of a character falls on the far end of Shakespeare’s conception of evil, a natural endpoint after Aaron the Moor and Richard III. No production can […]
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Coriolanus (Jonathan Cake) is Shakespeare’s most baffling protagonist, an ornery Roman general who seethes with contempt for both the political elite and the commoners. After the conquest of a Volscian city, Coriolanus returns home and briefly runs for consul. But he refuses to participate in symbolic gestures of respect for the plebeians and is summarily […]
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Much Ado About Nothing is a lighter Shakespeare play, in part because the love-lorn pair, Beatrice (Danielle Brooks) and Benedick (Grantham Coleman), have no parents and in part because its villain, Don John (Hubert Point-Du Jour), never poses much of a threat. He lies with the Machiavellianism but not the talent of Iago. Still, Much […]
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