Reviews

Nobody Knows You When You’re Down and Out

As far as we know, Timon of Athens was never staged in Shakespeare’s lifetime. It is rarely staged in ours. In terms of genre, it is akin to his late romances, beginning as a Ben-Jonson-style comedy and ending in Lear-like tragedy. As with Pericles and Two Noble Kinsman, it is a collaboration, and here the […]

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Reviews

What’s Yours Is Mine

With the closing of the Pearl, the stakes have been raised for Theatre for a New Audience, our last, best hope for classical revival in New York City.  Their new production of Measure for Measure is a fairly good sign.  As we enter the theater, we are encouraged to stroll through Mistress Overdone’s brothel: through glass, […]

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Reviews

He Was a Kind of Nothing

Election seasons are common times to stage Coriolanus, Shakespeare’s play about a Roman war hero (Dion Johnstone) who runs for consul despite his contempt for the common people.  Unversed in political matters, Coriolanus is undone by his rivals Brutus (Merritt Janson) and Sicinius (Stephen Spinella) and decides to ally himself with his former enemy, the Volscian commander Tullus […]

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Reviews

Exchange the Bad for the Better

The Two Gentlemen of Verona has unjustly been dismissed by most scholars.  Harold Bloom, for instance, calls it “the weakest of all Shakespeare’s comedies.”  But if it doesn’t have the meat of later plays like The Merchant of Venice or All’s Well That Ends Well, it does offer humbler pleasures.  Fiasco, a company that previously mounted amiable if underwhelming productions […]

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