Reviews

She Doesn’t Even Go Here

The subtitle of Jocelyn Bioh’s School Girls is The African Mean Girls Play.  In some ways, it’s a pretty fair comparison.  This is a sharp and funny work about a group of girls at an elite Ghanian boarding school.  While each prepares for a performance that could make them eligible for the 1986 Miss Global […]

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Reviews

My Love for You Is Artificial

When Saartjie Baartman (Zainab Jah), later known as “Venus Hottentot,” first walks onstage, she carries with her a skin-colored body suit.  This repurposed leotard transforms her figure into that of the woman who, because of her large buttocks, was exhibited in freak show attractions in the early nineteenth century.  This is, as far as I […]

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Reviews

The Name Your Mother and Father Gave You

In 2003, at the end of the Second Liberian Civil War, three women wearing American hand-me-downs live in a shanty as the wives of a commanding officer for the rebel group Liberians United for Reconciliation and Democracy.  For most of Danai Gurira’s Eclipsed, they are referred to by their titles rather than their given names: Number […]

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Reviews

The Winning Post’s No End

How does one go about faulting the director in a play full of quality acting? Is Leah C. Gardiner heavily complicit in the performances that save The Loneliness of the Long Distance Runner from sheer mediocrity? Or did the actors, like the play’s protagonist, rise up against the restrictive desires of their supervisors?

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