Reviews

A Nightly Savonarola, Monday through Friday

The set for Network is spectacular.  On the left side of the stage is a television studio, the crew working noiselessly inside a series of glass booths.  On the right is a working bar and restaurant, one patronized not only by the play’s characters but by some of the audience, whose seats are onstage and not […]

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Reviews

Too Much Steel and Stone

The night clerk (Frank Wood) of a seedy midtown hotel is already onstage as the audience enters the Booth Theatre.  His eyes glassy, he stares off at nothing in particular.  An “Out of Order” sign hangs on the birdcage elevator.  When Hughie begins, the hotel wakes up, its neon sing flashing to life outside and the […]

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Reviews

Oh, Reality, It’s Not for Me

It seems relatively uncontroversial to say that one shouldn’t have sex with a nine-year-old girl.  But what about the image of a nine-year-old girl?  What are the ethical questions raised by a hypothetical virtual simulation in which a man can sleep with (and murder, if he should so please), a preteen?

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Reviews

And the Audience Laughed at Lester Maddox Too

The first act of Clybourne Park is the other side of A Raisin in the Sun: in 1959, Russ (Frank Wood) and Bev (Christina Kirk), a weary, middle-aged couple, have decided to move out of their neighborhood; their son, Kenneth, was a Korean vet who ended up committing suicide after being accused of war crimes.  […]

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