Reviews

Do the Insurance Companies Pay if a Man Is Shot after Curfew?

On the eve of partition, Donal Davoren (Adam Petherbridge, the understudy, in the performance I attended) is just trying to write some verse.  Living in a cramped Dublin tenement visited by a rotating cast of caricatures, Davoren is constantly interrupted by the havering of his neighbors, who are under the impression that he is an […]

Read more
Reviews

The Brief Sun Flames the Ice

The set, designed by Riccardo Hernandez, is extraordinary.  Snow falls throughout, first in large heaps and then intermittently, its color reflected in the large white arches and pale furniture; the actors, dwarfed by their monochromatic surroundings, bring a little relief with their colorful costumes.  But the main effect—a sheet of white peppered with spots of […]

Read more
Reviews

A Very Merry War

Last year, Arin Arbus directed a wonderful Taming of the Shrew for TFANA and this season she returns with her star Maggie Siff for Much Ado About Nothing, an appropriate, complicated companion piece.  But where Shrew succeeded because it treated the text with the appropriate amount of irony, Much Ado falters because it fails to […]

Read more
Reviews

A “Post-Feminist” Shrew

When we walk into the theater, there is man playing saloon music on a piano.  A woman passes out bags of peanuts, and Christopher Sly (Matthew Cowles), an old, drunken bum who has been tricked into thinking he is an aristocrat, loudly comments on the action of the play, so much so that the actors […]

Read more