Reviews

Let’s Fix This Fucker

“It’s never worked,” says Tony Kushner (Jonathan Hadary), now a character in a revised version of A Bright Room Called Day. The play, about a group of Berliner artists watching their country fall to Hitler in 1932 and 1933, has suddenly received renewed interest. “I have offers!” he cries, incredulous. This is in no small […]

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Reviews

We All Need Mazel

Following Joel Grey as the Emcee in Cabaret is a bit like following Marlon Brando in A Streetcar Named Desire or, I would imagine, Mark Rylance in Jerusalem.  Mr. Grey is one of those performers who seems like he learned to entertain before he learned to crawl, and his Emcee is both attractive and repellent, with a face […]

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Reviews

Throwing Away the Peel

When Philip Seymour Hoffman walks onstage, he sits down and takes a long beat before exhaling his first line: “Oh boy, oh boy.”  He says it so quietly, so privately that we would probably miss it if we didn’t know it was coming.  He says it like it’s not meant to be heard by over […]

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