Reviews

The Scourge of God

What are we to make of Marlowe’s Tamburlaine (John Douglas Thompson), the Scythian shepherd-turned-emperor who spends most of this two-part play committing mass murder without any hint of guilt or self-doubt?  He resembles later theatrical incarnations of political evil, like Shakespeare’s Richard III and Macbeth, but no ghosts of victims come back to haunt him, no authorial […]

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Reviews

The Snail’s House

One of the toughest parts about playing iconic Shakespearean roles is convincing the audience that you are saying and thinking these lines for the first time.  How is one, for example, to recite “To be or not to be?” or “Never, never, never, never, never” without summoning up the legion of actors who have already […]

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Reviews

A Very Merry War

Last year, Arin Arbus directed a wonderful Taming of the Shrew for TFANA and this season she returns with her star Maggie Siff for Much Ado About Nothing, an appropriate, complicated companion piece.  But where Shrew succeeded because it treated the text with the appropriate amount of irony, Much Ado falters because it fails to […]

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Reviews

A “Post-Feminist” Shrew

When we walk into the theater, there is man playing saloon music on a piano.  A woman passes out bags of peanuts, and Christopher Sly (Matthew Cowles), an old, drunken bum who has been tricked into thinking he is an aristocrat, loudly comments on the action of the play, so much so that the actors […]

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Reviews

I Am Much Old in Griefs

The stage is marble and the cast appears in dark hooded robes, their faces chalk-white and eyes sunken; the theater feels unusually cold.  A young woman slinks around the stage playing the waterphone, creating steely, alienating music, and King Amyclas of Sparta (Philip Goodwin) has a visage so wrinkled and worn that it gives Beckett’s […]

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