Reviews

Her Sickness Is a Fullness of Her Blood

When Declan Donnellan directed ‘Tis Pity She’s a Whore at BAM three years ago, he stripped the play of everything but its core plot—the incestuous and ultimately fatal affair between Giovanni (Matthew Amendt) and his sister Annabella (Amelia Pedlow)—and the result was cinematic, highly stylized, and saturated with melodrama. In a new revival by Jesse Berger, John Ford’s […]

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Reviews

A “Post-Feminist” Shrew

When we walk into the theater, there is man playing saloon music on a piano.  A woman passes out bags of peanuts, and Christopher Sly (Matthew Cowles), an old, drunken bum who has been tricked into thinking he is an aristocrat, loudly comments on the action of the play, so much so that the actors […]

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Reviews

I Am Much Old in Griefs

The stage is marble and the cast appears in dark hooded robes, their faces chalk-white and eyes sunken; the theater feels unusually cold.  A young woman slinks around the stage playing the waterphone, creating steely, alienating music, and King Amyclas of Sparta (Philip Goodwin) has a visage so wrinkled and worn that it gives Beckett’s […]

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